Jeff is a professor of movement at the Theatre School at DePaul University in Chicago. Previously, he was a continuing lecturer in the Department of Theater and Dance at UC Santa Barbara for nine years where he taught movement, acting, directing, stage combat, solo performance and devising.
3715 AVON LANE SANTA BARBARA CA 93105
PH O N E (8 0 5) 4 5 3- 8 2 4 2 • E-MAIL firstname.lastname@example.org
To create vital works of theater and facilitate the artistic, professional and personal transformation of students, clients, collaborators and spectators.
MFA in Acting- National Theatre Conservatory Denver, CO 1991-1994
BA in Dramatic Art- UC Santa Barbara 1986-91, 2007
Licensed Massage Practitioner Brian Utting School of Massage Seattle, WA
Certificate of Completion for 950-hour course in massage theory, practice
and human anatomy (including cadaver anatomy.) Over 300 hours clinical
and externship experience with ethics and boundaries training. Course culminated in national and state
licensure (WA.) 1997-1998
Guildford School of Acting and Dance Guildford, UK
Completed one year of a three-year conservatory acting course. Studies included acting for stage and camera, Shakespeare, singing, movement arts, Modern, Ballet, Jazz, Tap, theatre history etc.
2006 to Present
Department of Theater and Dance
University of California Santa Barbara
MOVEMENT INSTRUCTOR for three-year BFA conservatory program. Seven movement courses per year for Sophomores (THTR 10A, 10B and 10C) Juniors (THTR 110A, 110B, and 110C) and Seniors (THTR 110D.) Progressive, three-year curriculum. Explorations include abstract movement improvisation, composition, rhythm studies, biomechanics, physical character work, movements of the natural world, full mask, half mask, puppetry, juggling, tumbling, acrobatics, yoga, tai-chi, red-nose clowning, physical comedy, solo and group movement projects. Introduction and practice of methods of devising original works of “physical theater.”
STAGE COMBAT INSTRUCTOR, THTR 110E
Stage Violence for the Actor. Introduction and practice in creating the illusion of violent actions for scenes and plays. Hand to hand, quarterstaff, broadsword, rapier and dagger and small sword techniques are covered.
ACTING INSTRUCTOR, THTR 151S
Senior One Person Shows. Practical solo performance techniques. Course culminates in fully produced evening of One-Person shows written and staged by the students.
ACTING INSTRUCTOR, THTR 151B
Advanced acting course for Juniors in the BFA track. Acting approaches to Shakespeare, specifically using text analysis to help make acting choices in Shakespeare scenes.
ACTING INSTRUCTOR, THTR 5
Beginning acting class that satisfies University General Education requirement for the Arts. One class per year since 2012.
ACTING INSTRUCTOR, THTR 140
Advanced acting classes for non-BFA students. Contemporary, Brecht and Shakespeare scene study. One class per year.
DIRECTING INSTRUCTOR for one directing program course in 2008.
SUPERVISOR/INSTRUCTOR OF RECORD
Supervise and Train MA and PhD students to teach basic acting to beginning students. These acting classes fulfill University General Education requirements. Four to six students are supervised per quarter covering eight to twelve courses per quarter.
Bloody Poetry by Howard Brenton- Spring 2015
Departmental Main Stage Production
The Arabian Nights by Mary Zimmerman- Spring 2014
Departmental Main Stage Production
Eurydice by Sarah Ruhl- Spring 2013
Departmental Main Stage Production.
Piezoelectric Love: The Half Life of Marie Curie- Spring 2012
World Premiere conceived, devised and co-written by Jeff Mills with Valerie Slitor.
Departmental Main Stage Production. Co-production with Proboscis Theater Company
The Trojan Women by Jean Paul Sartre- Winter 2010
Departmental Main Stage Production.
Senior One Person Shows- Yearly, 2006 to present
Ten to twelve solo performances on the same bill each year, developed in individual processes with each student (THTR 151S)
Senior Movement Projects- Yearly, 2006 to present
Original works of physical theater devised by the Senior classes and myself. This project falls under the (THTR 110D) class.
Mentor for one or two Senior Honors projects every year. Faculty advisor for Mask and Scroll, a student club that supports non-curricular theater events. Faculty advisor for UCSB Juggling Club, a student club that produces an annual International Juggling Festival on the UCSB Campus. All proceeds benefit the Santa Barbara Rape Crisis Center. I am highly involved in the production of this event that raises thousands of dollars every year.
MOVEMENT COACH/FIGHT DIRECTOR
Movement coach on many main-stage productions. Created original fight choreography for The Talented Ones dir. Risa Brainen, Arabian Nights dir. Jeff Mills, Macbeth dir. Irwin Appel, Cloud Nine dir. Annie Torsigliari, Hamlet dir. Irwin Appel, Entangled dir. Risa Brainin, Woyzeck dir. Tom Whitaker, Plumfield Iraq dir. Risa Brainin
Santa Barbara City College
Stage Combat Instructor for three unit course in Theater Arts Department
Fight Director- Dead Man’s Cell Phone directed by Katherine Laris
Ensemble Theater Company- Santa Barbara, CA
Fight Director- Woyzeck directed by Jonathan Fox
Mark Dendy Projects
Fight Director- Dystopian Distractions
Created original fight choreography for world premiere modern dance piece at the Lobero Theater in Santa Barbara directed by Mark Dendy. April 2014.
2010 and 2011
Shakespeare Santa Cruz, Santa Cruz, CA
Actor, movement coach, choreographer and master class teacher for intern company-
Assisted company actors with period movement styles, taught interns in master classes choreographed dance number in Henry IV part 1 and some fight sequences in Three Musketeers.
2010 to Present
Proboscis Theater Company Santa Barbara, CA
Founder, Artistic Director, Performer, Producer
PIEZOELECTRIC LOVE 1.0 Created and produced by Jeff Mills- an original Neo-Vaudeville/clown/mask/dance/storytelling event called at Center Stage Theater. 2010
PIEZOELECTRIC LOVE: The (half) Life of Marie Curie- Co-Production with UCSB Department of Theater and Dance
LA LA LA STRADA- Conceived, written and directed by Jeff Mills. Mask and puppet theater piece that explores the world of Federico Fellini. World premiere February 2015.
FELLINIFEST 2015: Live Theater for Movie Lovers- Sole producer of a six day festival of plays about movies and the people who made them. Invited four different companies to perform at Center Stage Theater Santa Barbara, CA. Artists from London, Hungary and Seattle brought to Santa Barbara. Jeff Mills did all publicity, contracts, and production duties.
LIVE FROM THE PIANO KITCHEN-Currently creating and producing a new, live radio variety program every month featuring original radio drama and storytelling, live music and interviews. Broadcast monthly on KCSB FM.
1999 to Present
BOXTALES Theatre Company Santa Barbara, CA
Collaborative member of BOXTALES core-company. Co-created ten original works for regional,
national and international touring. In the last five years performed with
BOXTALES at the Geffen Playhouse, the Getty Villa, Montalvo Arts
Center and the Washington Center for the Arts. Shows include
Mitos y Cuentos
Waters of the Earth
Leyendas de Duende
OM: An Indian Tale of Good and Evil
A World Premiere production devised by the company and written by Allie Menzimer. Co-devised by the company and Jeff Mills. Based on the Indian epic the Ramayana. Premiered at the Lobero Theater in Santa Barbara in 2009. Co-production with UCSB Department of Theater and Dance.
Got Homer? Tales of Odysseus
A World Premiere condensed version of the Odyssey designed to tour to elementary and jr. high schools throughout California. 2005
COMMUNITY PROJECT DIRECTOR- 2008
A multigenerational theater project which brought together community
Elders and elementary school students to create plays based on the life
stories of the former. Three-month after-school program.
Festival of Fools
A theater festival celebrating mime, clown and physical theater. Dedicated
to Marcel Marceau, the week long festival featured dozens of performers
including Robert Shields and James Donlon.
Numerous master classes, workshops, residencies, camps
and lecture demonstrations which accompany award winning productions
and teach our unique method of theatre creation. Recently taught
Movement and Ritual Theatre Workshop at Pacifica Graduate Institute.
MANAGING DIRECTOR/PRODUCER/ARTS ADMINISTRATOR- 2000-2006,
charge of scheduling, bookkeeping, marketing, budget creation, non-profit board
management, tour management, data base management, contracts, grant
writing, production management, and payroll management.
2005 to 2006
Lobero Theater Foundation, Santa Barbara CA
Community Outreach Coordinator
2002 to 2008
Shakespeare Santa Barbara
2002 Midsummer Night’s Dream-Actor/Coach/Musician
2003 Taming of the Shrew- Actor/Musical Director/Sound Designer
2004 Twelfth Nigh- Director/Musical Director/Sound Designer
2006 As You Like It- Actor/Musical Director-Composer/Sound Designer
2008 Much Ado About Nothing- Director/Musical Director/Sound Designer
1998 to Present
Private Massage Therapy Practice
Independent contractor in home office and at Spa Ojai (2000-2001)
2000 to present Movement Coach/Teacher
Freelance Acting Teacher and Movement Coach
Independent contractor at home studio and various sites in Santa Barbara and
Los Angeles. Personal Movement/Voice coach for professional actors
Movement residency at Dos Pueblos High School 2003 and 2004
Lobero Circus Camp juggling and movement teacher 2002 and 2003
Goleta Valley Jr. High residency fall 2000
Elementary school drama teacher at Montessori Center School (1999-
2000) and San Roque School (2004.)
Door Shakespeare Bailey’s Harbor, WI
Co-Founder-Artistic Director, Director, Movement Coach and Actor for two
1986 to Present
Professional Actor- See attached acting resume
Worked in acting companies nation-wide including:
California: Shakespeare Santa Cruz, PCPA Theatre Fest, Shakespeare Santa
Barbara, Santa Rosa Summer Repertory Theater Colorado: Denver Center
Theatre Company, Colorado Shakespeare Festival Minnesota/Wisconsin:
Theatre de la Juene Lune, American Folklore Theater, Door Shakespeare,
Kosanovich Dance Theatre, Theatre Eggplant, Washington: AHA! Theatre,
Seattle Children’s Theatre, Wooden O Theatre.
Recently appeared as Tristan in Bill Viola’s film that accompanied Peter
Sellars’ production of Tristan and Isolde at the Opera National de Paris.
CURRENT BOARDS AND ASSOCIATIONS
Association for Theater in Higher Education- member
Association of Theater Movement Educators- member
Network of Ensemble Theaters- member
Elements Theater Collective- Advisory Board Member
American Federation of Teachers, University Council Executive Board Member
Tai Chi, Yoga, Chi Kung, modern dance, ballet, flying trapeze, circus tissue,
juggling, movement improvisation, acrobatics, clowning; tango, swing, latin,
medieval dance; mask work, puppetry, stage combat; Laban, Lecoq, Decrue,
Donlon, Yakim, Pilates, Alexander, Feldenkries techniques; sound design,
singer/songwriter, guitar, mandolin; African, Cuban, Indian, European
References and letters of recommendation available on request.
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